Near/Far: Second Iteration (subset one)
![]() | In the comments to the previous post, Near/Far: Second Iteration, vocalist/guitarist of the band Wayfarer, Ryan Chubb, asked some questions that sparked more thoughts on my behalf, and when I realized my answer to him was post-length in itself, I decided to make it an update to the original post. And now it's a post all on it's own. |
Ryan asked:
"My question is how do we define these things? What is passion if many equate it as exuberance? How do we avoid forced-to-a-predetermined-conclusions without making it a complete existential free-for-all?"I guess what sparked my choice of words (which are admittedly and deliberately provocative) were instances where I've witnessed it.
For one, visiting Willow Creek (might as well just name the place and get it over with...), and observing that they have little golden "mood lights" above the congregation, which rise and fall in luminence in connection with the rise and fall of the music, and seem to be designed for the express purpose of causing a corresponding rise and fall in the "mood" of the congregation. I believe they typically call this a "worship experience".
| At first, I would have simply called it beaucoup de fromage (extemely cheezy), but ultimately (as I saw more and more youth ministries and churches adopting the same methodology and language) it bothered me because it's contrived, not real, not from the heart, and definitely pre-packaged. In which case, I would more likely just call it what it is: "manipulation". | ![]() |
Usually followed by the band diving into "Undignified", so we can all repent appropriately of our substandard expression of worship. (I've played this song myself, to be honest, but I've never used it to manipulate people into "performing" in a certain way)
Let me be really, really, REALLY clear: I absolutely LOVE freedom in worship, but to me, "freedom" looks more like a creative diversity of worship expressions, not the uniformity of one posture dictated by the agenda of the few.
![]() | Just before the most recent occurance of this mentality, I was thoroughly enjoying singing Redman's "Blessed be the Name of the Lord" (great lyrics to this one!), and all around me, people were singing, some kneeling, some dancing, some with hands in the air -- a wonderful picture of the Body being free to express different creative postures of worship in a corporate setting. |
Secondly, and even more serious, is that these kind of "dance or you don't love God" kind of statements actually misrepresent Jesus.
Can you imagine this scene playing out in the heavenlies?
| Angels: "Jesus, look over there! We see a whole crowd of Christians, from many different countries, language groups, denominations, and generations, all joining together to worship You! Isn't it awesome?" Jesus (totally losing it): "Oh no, not again! They're doing it ALL WRONG!!. Quick, Holy Spirit, goose somebody down there to tell them that they don't love Me unless they're dancing." | ![]() |
So, Ryan, when I posed the original statement which provoked your very excellent questions, it was these kind of things in the back of my mind that prompted what I wrote.
But let's open up your questions to everyone. For the record again, here's what Ryan was asking:
"My question is how do we define these things? What is passion if many equate it as exuberance? How do we avoid forced-to-a-predetermined-conclusions without making it a complete existential free-for-all?"Thoughts? Insights?
Update
Bill Kinnon has written a very good and thought-provoking article after being a part of this discussion here. Check out Bill's The Power of Music in Church.













































